Moonlight": DP James Laxton creates poetic look on ALEXA
A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
Moonlight": DP James Laxton creates poetic look on ALEXA
Kowa Cine Prominar — Camtec
Judy Cohen on Twitter: "Mahershala Ali #BOTD MOONLIGHT – Barry Jenkins, 2016 #cinematography: James Laxton Juan reacts to meeting Paula, Chiron's neglectful mother. https://t.co/V8VSnX1aK4" / Twitter
Moonlight's Cinematographer on Filming the Most Exquisite Movie of the Year | Vogue
James Laxton / Moonlight - British Cinematographer
Moonlight Cinematography: Bold Color, Rich Skin Tone, High Contrast | IndieWire
Oscar Watch: DP Shoots Lush Oscar-Contender Moonlight Wide Screen Anamorphic - The Credits
Moonlight" Cinematographer James Laxton on Crafting the Film's Look
Ravenna Tran on Twitter: "Moonlight was shot on ARRI Alexa XT in Pro Res 444 using Vantage Hawk Scope and Kowa anamorphic lenses. "The story is very intimate but we wanted to
Judy Cohen on Twitter: "Mahershala Ali #BOTD MOONLIGHT – Barry Jenkins, 2016 #cinematography: James Laxton Juan reacts to meeting Paula, Chiron's neglectful mother. https://t.co/V8VSnX1aK4" / Twitter
Moonlight Wins Three Oscars | Vantage Film
Opinion | This Year, #OscarsSoBlack? - The New York Times
A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
Oscar Watch: DP Shoots Lush Oscar-Contender Moonlight Wide Screen Anamorphic - The Credits
Moonlight anamorphic - YouTube
James Laxton / Moonlight - British Cinematographer
Difference Between Anamorphic and Spherical Lenses - 3DArt
Moonlight Cinematography Analysis | James Laxton – Flickside
Moonlight's Cinematographer on Filming the Most Exquisite Movie of the Year | Vogue
Moonlight: Behind the Making of the Oscar-Nominated Movie
I actually cried a couple of times: Mahershala Ali on 'Moonlight' script
Portraits Of Moonlight — Caleb K. Johnston
A One-Camera Show: DP James Laxton on Moonlight | Filmmaker Magazine
Moonlight: Behind the Making of the Oscar-Nominated Movie
